American Wake
Nearly broke and dying of cancer, Ulysses S. Grant faced his greatest battle: to complete his autobiography and provide for his family before he's gone. This play takes place on the night before his burial. It features his editor (Mark Twain), his best friend (Gen. William Tecumseh Sherman), and an African-American waiter (Arthur Dubois - Bruce's invention). This four-character piece centers on both American's greatest tragedy (racism) as well as on the complex pain of saying good-bye.
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Another Vermeer
This Berrilla Kerr Prize-winner and O'Neill Finalist was extolled by John Simon, VARIETY, and THE L.A. TIMES. It asks: "Does art fill the void at the center of life or does art cause it?" Based on real events, this story revolves around Han van Meegeren (a Dutch painter circa 1945) who is painting to save his life. See why such luminaries as Robert Brustein, Tyne Daly, Frank Langella, and Murray Schisgal are among this piece's greatest supporters.
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Beyond The Sea
Based on Frances Hodgson Burnett's classic novel LITTLE LORD FAUNTLEROY, this lyrical and emotional musical (for which Bruce did both book and lyrics) was optioned for Broadway by Tavel-Davis Productions. It featured Carolee Carmello, Paul Dano and was directed by Tony-winner Jack Hofsiss. Though a family musical, it sparkles with enough wit to please the most-discerning adult.
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Byrd's Boy
After its premier at New York's PRIMARY STAGES (starring David McCallum and co-produced by Jeffrey Ash), this comedy/drama has been done throughout the country. In this fact-based audience-pleaser, an empty warehouse in Baltimore circa 1988 is the single backdrop for the fascinating relationship between a 70-ish Caucasian man and a 30-ish African-American woman. This vulgarity-free and laugh-filled piece was a finalist for the Rosenthal New Play Prize and was nominated "Best Play" by the Detroit Free Press.
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Innocence
Suggested by the murder of TV actress Rebecca Schaeffer ("My Sister Sam") and the subsequent trial, this fascinating play examines the criminal culpability of the ostensibly mentally disturbed. This visually compelling piece takes place not only in the court but in the twisted psyche of the accused. See why INNOCENCE won the Norris New Play Prize.
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